![]() The K1000 is one of the best-known 35mm SLRs in the film world, largely because Pentax kept it in production for an epic twenty-one years, from 1976 to 1997. They’re larger, heavier, and more expensive than the Yaschicas-figure $250 to $500-but they too are excellent cameras. You might also consider the Mamiya C220 and C330, rare among TLRs in that they have interchangeable lenses. Happily, this is reflected in their prices: Working Yaschicas sell in the $50 to $300 range. For some reason, though, these fine TLRs continue to lurk in Rollei’s shadow. But don’t let its budget status fool you, Yashicas are high-quality cameras. ![]() The Japanese-made Yashica twin-lens camera was designed as an affordable alternative to the Rolleiflex. Thanks to its poor reputation, it’s easy to snag an FG for $75 or less. The FG is small and light and provides aperture-priority, shutter-priority, and full-auto program modes with all Nikon AI-S manual focus lenses. Though it lacks the heft and feel of other Nikons, read online reviews and you’ll see that most modern-day FG owners (your author included) love them. Introduced in 1982 as a low-cost AE-1 Program competitor, the FG is one of the most controversial Nikon bodies, derided among Nikon purists for its built-to-a-price-point construction. No surprise, then, that the AE-1 Program commands high prices-$150 to $300 in good working order. It was a strong seller in its day and remains popular with those transitioning from digital to film, as it combines that old-school SLR feel with the ease of fully automatic exposure control. The AE-1 Program was Canon’s first consumer-grade camera to have a program mode, one that could set both aperture and shutter speed.
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